In advance of the Kimmel Center screening, The Philadelphia Inquirer’s Melissa Dribben has written a great article about our newly slimmed down cut of The Barefoot Artist titled “Why ‘Barefoot Artist’ Lily Yeh does what she does’. Check it out!

We are looking at an already full house, so a very exciting night ahead.

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It is with great pleasure we announce that the Philadelphia Asian American Film Festival is hosting a special screening of The Barefoot Artist movie at the Kimmel Center on Thursday, May 15 at 7:00 pm.

Tickets are free (but required) and the Kimmel Center asks that you RSVP in advance. Please follow this link to reserve your seat.

The screening, made possible by the generous support of the Wyncote Foundation, will be followed by a Q&A with Lily Yeh and co-directors Daniel Traub and Glenn Holsten. Editor Ann Tegnell will, naturally, be in attendance.

For those of you who attended the preview screening at the Philadelphia Museum of Art, know that the piece has been shortened and refined. We hope you like it even more!

If you aren’t in the Philadelphia area, please check the list of upcoming screenings to see when the film will be in your area. You can now also order a DVD of The Barefoot Artist for public and private use.

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A film by Alice Rothchild and Sharon Mullally, Voices Across the Divide is a powerful documentary and oral history project exploring the Israeli/Palestinian conflict through rarely heard personal stories. Narrated by Alice Rothchild, an American Jew raised on the tragedies of the Holocaust and the dream of a Jewish homeland in Israel, Voices Across the Divide follows her personal journey as she begins to understand the Palestinian narrative, while exploring the Palestinian experience of loss, occupation, statelessness, and immigration to the US.

In a recent article from the Plattsburgh Press-Republican, Voices Across the Divide is praised and discussed.

“History is told by the people who win the wars,” Rothchild said. “It’s not told by the people who lose. How many years did it take for us to learn about Native Americans and Japanese internment? A long time — the same is true for this history.”

As a Jew, Rothchild knows many Jews don’t want to hear the Palestinian story and to bear witness that the once-victims are victimizing others.

“It means owning our responsibility,” Rothchild said. “Once you own responsibility, you have to deal with some type of restorative justice. You have to say I’m sorry. You have to compensate people, and you cannot do that until you face the original truth of the original history.”

Upcoming screenings of Voices include:

Congregation Tikkun v’Or, May 2, 2014, 7:30 pm, candle lighting and short service followed by film screening, 2550 N Triphammer Rd, Ithaca, NY 14850, Q&A with director

Cinemapolis, May 4, 2014, 2:00 pm, 120 E. Green Street, Ithaca, New York 14850, Q&A with Director. Tickets

Arlington International Film Festival, May 30, 2014, 7:00 pm, Regent Theatre, 7 Medford Street, Arlington, MA, Q&A with director

World Fellowship Center, August 3, 2014, 10:00 am, 368 Drake Hill Road, Albany NH 03818

Palestine Film Festival at the Red River Theater, October 5, 2014, 2:00 pm, 11 S. Main Street, Suite L1-1, Concord, NH 03301, Q&A with director

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Over 20 years after the signing of Peace Accords in El Salvador, and in the light of recent events concerning the security of hard-won human rights documents, this discussion is very important. It also confirms the timeliness of our very personal film, Niños de la Memoria.

Panelists are: David Morales – Human Rights Ombudsman of El Salvador, Dr. Terry Karl – Gildred Professor of Latin American Studies and Professor of Political Science, Stanford University, and Héctor Silva Avalos – Fellow, Center for Latin American and Latino Studies, American University.

Please follow this link to the discussion.

Here is further background information on the discussion published by the event sponsors, The Washington Office on Latin America (WOLA) and the Center for Latin American and Latino Studies (CLALS) at American University

Following the end of El Salvador’s 13-year civil in 1992, the country’s legislature passed a General Amnesty Law. For years, the law has provided generalized protection against prosecutions for human rights abuses committed during the conflict. But the years of amnesty may be coming to an end: El Salvador’s Constitutional Court has recently agreed to hear a challenge to the constitutionality of the law, and a decision is expected in the next few months. The appeal follows last year’s ruling by Inter-American Court of Human Rights (IACHR), which found that the amnesty law conflicts with international human rights standards. The IACHR directed Salvadoran authorities to consider the law null.

Overturning the amnesty would dramatically change the status quo in El Salvador. The Attorney General would be free to open investigations and carry out prosecutions in a number of well-known cases, such as the 1981 El Mozote massacre and the 1989 massacre of six Jesuits, their housekeeper, and her daughter. Prosecuting these cases would test the Salvadoran judicial system’s capacity to investigate, prosecute, and adjudicate impartially and without fear or favor.

The prospect that the amnesty might be overturned has generated intense debate in El Salvador about the amnesty, the role of the Constitutional Court, and how the Attorney General might respond. This debate is also taking place in a moment in which the integrity of human rights archives in El Salvador is in question.  Tutela Legal, the human rights office of the Archdiocese of San Salvador, was abruptly closed in early October, and there is uncertainty about how the Archdiocese will manage Tutela’s records, which constitute one of the largest human rights archives in the country. The archives of Pro-Búsqueda, an organization that attempts to identify children who disappeared during the war and re-connect them with their birth families, were recently destroyed by armed men who burst into the organization’s offices at night. If the amnesty were to be overturned and prosecutions to move forward, the contents of these records—and, in turn, their protection—will be more important than ever.

This panel will discuss the challenges in protecting human rights records, the prospects for overturning the amnesty and the challenges that will present for the Constitutional Court, the Attorney General, and the judicial system.

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Recently completed for the 10th Annual NHS Human Services “Leading the Way” Awards Gala, our new trailer received applause and a standing ovation for the members of Hollywood Beauty Salon of the NHS Germantown Recovery Community.

The members of HBS were honored with the Fran Eagan Courage Award at the Gala for sharing their life stories of courage and determination as depicted in the documentary which aims to de-stigmatize mental illness and promote recovery. Prior to the Gala, press convened on the Germantown Recovery Community to feature the project, it’s members, and their award.

This clip is from the local ABC station, this from CBS, and listen here to a piece from KYW Radio.

The Gala was a fundraiser for the organization and for the documentary. Please, go here to contribute to this wonderful, uplifting project. Specify Hollywood Beauty Salon documentary. Keep us going!

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Voices Across the Divide was shown this month in Tel Aviv at the film festival, Nakba and Return, organized by Zochrot.

Co-producer/director, Alice Rothchild, posts feedback and links on the Voices fb page. Check out the good work the film is doing.

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It’s been said that the editor gives a documentary life. But how do you create an editing strategy that allows you to share the story you want to tell? Documentary editor Ann Tegnell speaks about her process with Q & A about post-production and your project.

The Craft of Editing

DATE: Tuesday, December 3, 2013; TIME: 7:00PM – 8:30PM; FALL 2013

to be RESCHEDULED in 2014

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If you haven’t heard about it, yet, go here and check it out. It’s the latest project by Glenn Holsten, with Rachel Hollywood Carr project advisor, Ann Tegnell editor, Daniel Traub cinematographer, Willa Rohrer associate producer and Lex Gstein assistant director.  Anthony_Mirror

The Place – The Hollywood Beauty Salon is a tiny beauty parlor tucked inside the Germantown Recovery Community, a non-profit mental health facility in Northwest Philadelphia, which is a program of NHS Human Services. The salon is not open to the public, but serves a small clientele in profound ways. Men and women undergoing treatment for mental illness gather here to have their hair done, share stories, and support each other as they rebuild their lives.

The Recovery Model – The Germantown Recovery Community is a community-integrated recovery center that serves persons with behavioral health and addiction challenges. The film presents to a national audience NHS Human Services’ successful execution of a model of mental health care—unique to the city of Philadelphia—that combines both treatment and rehabilitation services that are individualized, choice-based, consumer-driven, family-inclusive and community-based.

The Film – Currently in production, Hollywood Beauty Salon is also a feature-length documentary that tells the story of the salon—and its clients’ journeys of recovery—in imaginative ways. Documentary filmmaker Glenn Holsten is partnering with members of The Germantown Recovery Community to produce a film that weaves together powerful narratives of transformation. Hollywood Beauty Salon tells stories of struggle from darkness—including mental health challenges, addiction, trauma, and abuse—to hope and light, revealing the strength of this special community.

In the meantime, see Sanetta fly! on the Recovery Diaries video. This short taste of the piece is too wonderful!oc87rd_sanetta_greenscreen

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Lucky Daniel! He’ll be leading the post-screening discussion. We await a report. Carmel Art & Film Festival

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